Friday, January 28, 2011

Mr Mcmahon Forcing Trish Stratus To Strip

TEA TIME

TEA TIME
January 20, 2011
Foyer de l'Opera de Marseille e

Good start to year for the ritual of tea time CNIPAL soloists who filled out our vows and receive the ours.
Three gems from elsewhere, Japan and Korea, third, rare, Georgia, the first two voices already heard. Tomoko Hayakawa , Kyoto, opened the pale of this first part devoted to the song and we found pleased its strong mezzo-bodied, broad and full, patch a bit strange but very personal, his obvious talent as an actress in the comedy material. Ogress truculent in the recent Hänsel und Grettel (see Teatime December), she played happily still well-typed characters, colorful here, Baba Turk, the bearded lady boring Tom and the voluble, the libertine wavering Rake's Progress Stravinsky . Her powerful voice lightens tenderly to the lullaby of the Mother of Consul Menotti, demonstrated a beautiful line in phrased Urlicht Mahler, much nobility in the aria di portamento of Cornelia's Giulio Cesare by Handel, the holding of breath, that suits him better than the vocals a bit stiff or shy of Juno's aria from Semele , brilliant high notes. One can imagine that soon, in a voice barely more serious a character as Mistress Quickly, the Fasltaff Verdi ("Reverenzia) would suit her like a glove.
such beautiful qualities parent baritone Kim Taeil also already considered in the Father's role in this Hänsel und Grettel . Despite some "greasy" unwelcome in the sudden cold Allerseelen and Zweignung Richard Strauss, this excellent singer dispels the slight bronchial congestion with many business and moves us in the modest intensity ultimate ballad of Billy Bud Britten, any restraint in its broad voice in this funeral march slowly, haunting ground, lunar, rocked strange lapping waves of the piano poetized Nina Huari . In two of the "Songs of Travel" by Ralph Vaughan Williams, he regales his brilliant tone, the same volume of his voice, his meaning. Finally, an aria Berenice Handel allows him to give his position in the true bel canto the precise meaning of the term baroque ornate singing, demonstrating his mastery of style, agility vocalizations, the Ease of acute and intelligence variations of da capo .
The discovery is the mezzo Irina Aleksidze , which occurs for the first time in this place. Look and figure, elegance of carriage, immediate presence, face acute intense expression of a Georgian Callas would have exceeded his vocal problems. Issue easy Slavic vibrato, timbre rich, sumptuous severe, acute soft and irradiating with no apparent problem of passage, would be that strict technical skills if they were used with equal success roles various vowel of the devilry of Rossini's Italiana in Algeri , easing his great voice with so pleasant an incarnation of Isabella believed dreaming to see her enter so fully into the waking nightmare of Azucena Verdi's Trovatore . In excellent actress with humor and flirtation, she becomes a tragic obvious, audible and sensible, mastering his emotion perceptible to create our own, deeply moving.
known and taste qualities Nina Huari the piano, not only partner humbly attentive to the singers, but that is exemplary soloist with a passion for all Finnish Italian, a real piece together the ballet's dreamy and nightmarish Macbeth by Verdi.

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